Selected List of Works
Scores available on request. Get in touch via my contact page.
Song to the Earth (2018)
For String orchestra and percussion. Circa 90minutes. Composed for DeepBlue and percussion ensemble led by Michael Askill.
Up in the Clouds (2017)
For Flute, Clarinets, Violin, Cello, Piano and Vibraphone. Circa 11 minutes. Composed for All of the Above. Premiered November 16, 2017 as part of Cincinnati Soundbox’s Cincinatti to Sydney concert.
Sketching Breath Sketching Infinity (2017)
For Erhu and Percussion. Circa 8 minutes. A collaboration with visual artist Jo Davies, poet Bella Li, erhu player Ying Liu and percussionist Claire Edwards. Premiered at Poetic Energies on July 20, 2017 at Western Sydney University.
Birds Singing At First Light (2017)
For Erhu, Guzheng, Pipa and nature sounds by Wild Ambience. Circa 8 minutes. Premiered by Little Giant Chinese Chamber Orchestra at the 2017 Taipei International Festival of Arts, March 25, 2017.
Lotus Flower Offering (2016)
For Operatic Tenor and Pinpeat ensemble. Circa 5 mins. Workshopped with students at the Royal University of Fine Arts and Sethisak Khuon (tenor). This trip was funded as part of Power Up Your Arts Mentorship by City of Gold Coast.
For Pei Pok (Cambodia flute), Roneat Ek (Cambodia Xylophone) and Viola. Circa 5 mins. Premiered at Faculty Concert of Nirmita Composers Workshops. Siem Reap, Cambodia. This trip was funded as part of Power Up Your Arts Mentorship by City of Gold Coast.
Nature Spirit (2016)
For solo pianist. Circa 8 minutes. Composed for Alex Raineri. Premiered June 11, 2016 at Gretel Farm, Bangalow NSW.
Cicada Song (2016)
For solo percussionist and video projections. Circa 16 minutes.
Composed for Angus Wilson. Video Imagery by Rachel Jones. Photography by Ryan Simpson, Eddy Lee, Kristinn Hermanniusson. Premiered at Amazing Women 5, March 19, 2016, Ian Hanger Recital Hall, QLD Conservatorium within Griffith University. Also performed at the 2016 Australian Percussion Gathering.
Desert Time (2015)
For solo Pipa. Circa 8 minutes. Composed for Chen Yu Rong. Premiered at Eslite Recital Hall Taipei on June 3, 2016.
The Nature of Silence (2015)
for 2 singers and Khlui, Saw Dueng, Ching. Circa 7 minutes. Co-created with traditional Thai musicians at 2015 Experimental Thai Music Laboratory as part of an 11-day residency at Burapha Music and Performing Arts International Festival 2015.
Journey to the Centre (2015)
For String Orchestra. Circa 7 minutes. Arranagement for Ady Ensemble. Premiered at St Andrews Uniting Church on June 11, 2016.
Journey to the Centre – Music for Centennial Park Labyrinth (2014)
Audio work for download or streaming while walking Centennial Park Labyrinth in Sydney. Permanently installed at Centennial Park, Sydney.
Performed by Alan Smith, Jane Burroughs, Nicholas Tomkin, Kathryn Close. Nature Sounds by Wild Ambience. Recorded, mixed and mastered by Geoff McGahan. This work is featured in ABC TV’s The Compass Show, Radio National Off Track’s It is Made by Walking and was the subject of the radio documentary The Labyrinth Meditation for Radio National’s The Rhythm Divine (available for download).
As Small Birds Play music film (2012)
Inspired by and filmed in Centennial Park. Premiered at ‘The Light Garden’ event in Centennial Park to an audience of over 29,000 people. Film by Rachael Jones based on ‘As Small Birds Play’ music composed by Corrina Bonshek for clarinet.
Performed by Sue Newsome. Recorded, mixed and mastered by Benedict Carey.
Out on the Wind (2011 rev 2012)
For Bb Clarinet, Cello, Piano. Circa 7 minutes.
Premiered by Charisma on Thursday 6 June 2013 at University of Technology Sydney. Recorded for Charisma’s forthcoming CD of works by Australian Women Composers.
As Small Birds Play (2010/11)
For Bb Clarinet or Bass Clarinet with recorded bird calls. Circa 5 minutes.
Bass Clarinet version premiered by Sue Newsome at Recital hall west, Sydney Conservatorium of Music on September 19, 2012.
Bb Clarinet version premiered by Sue Newsome at Centennial Park 125th Anniversary launch November 2012.
Image copyright Rachael Jones. Originally composed in 2010 for Bassoon. Commissioned by Sophia Rhee.
Shadows and Dreams at the Female Orphan School (2005)
Site-specific music-art tour with live music, visual art exhibition and sound design. Co-created by Corrina Bonshek (composer and project co-ordinator), Jane Davidson (visual artist), Emma Stacker (electroacoustic composer) and Gretchen Miller (writer).
Performed as part of the 2005 National Trust Heritage Festival.
Supported by UWS Regional and Community Grants Scheme, the Whitlam Institute and Parramatta City Council.
Ellen Mourns the Loss of Her Family (2005)
Violin I, Violin II, Violoncello. Circa 18 minutes.
Premiered at Shadows and Dreams at the Female Orphan School – a music art tour around a treasured heritage building.
Performed by Christopher Kimber, Kathryn Chilmaid and Julia Ryder.
Image : ‘Shadows and Dreams I’ artwork by Jane Davidson (copyright 2005).
The Dream-memory of my mother’s voice (2005)
Soprano and brass/sax septet. Circa 6 minutes.
Premiered at Shadows and Dreams at the Female Orphan School – a music art tour around a heritage building.
Performed by Karen Cummings, Steve Clark, Brendan Smyly, Johnathan Dole, Tim Billards, Preston Hardy, Cassandra McGlynn, Nancy Mylott, Nathan Harrison.
becoming-dog (2001, rev 2005)
a 25 minute scored/improvised music theatre work for soprano/narrator, digital effects and six piece instrumental ensemble. Dramaturgy by Mark Seton.
Premiered at University of Western Sydney at the culmination of a ten week workshop with student performers Rosaria Ruffino, Tim Billiards, Daniel McMahon, Libby Hyett, Josh Isaacs.
An audio-visual installation by Anna Bonshek and Corrina Bonshek comprising Reverie I, Reverie II and Reverie II – Trajectory and Trace exhibited at Dakshina Chitra Centre, Chennai, India, April 2004 and Visual Arts Gallery, Indian Habitat Centre, New Delhi, May 2004.
Reverie II was screened at the School of Visual Arts, New York 2001 and Q-Pix, Brisbane 2001.
Reverie I (2002)
Visual Imagery by Anna Bonshek. Electroacoustic music by Corrina Bonshek.
Performed by Vershawn Saunders. Music performance by Corrina Bonshek and Leigh Giles.
Premiered at Sonic Circus, University of Western Sydney 2003.
Image : Video still by Anna Bonshek (copyright 2002).
Reverie II (2001)
21 minute stereo audio/visual installation by Anna Bonshek and Corrina Bonshek.
Music composed by editing and digitally processing improvised flute, violin and viol de gamba samples played by Christine Mitchell, Linda Jelacic and Eleanor Lewis.
Dancers & performers: Vershawn Saunders, Catherine Wells, Corrina Bonshek & Anna Bonshek.
Image : Video still by Anna Bonshek (copyright 2001).
This and That (2000)
4 minute video, text, music, dance work created by Akkshara Productions. Music composed using improvised flute and recorder samples performed by Angela Grima.
Screened at Liminality and Performance, Brunel University, Department of Performing Arts, London UK, 2000 and Feedback: the 8th Biennial Symposium on Arts & Technology, Massachusetts, USA, 2001.
50 minute music theatre work interweaving two song cycles, one composed by Corrina Bonshek, the other by Lara Biernoff.
Instrumentation: soprano, mezzo-soprano, alto, flute, violin, guitar, harp and marimba.
Premiered at University of Western Sydney, October 1999. Performance Season at Sydney College of the Arts – Rozelle Campus, 6-7 November 1999.
Three songs for voice, flute, violin and guitar (1999)
‘Misappropriated Moments’ (4mins), ‘Mutual Agreement’ (3.5mins), ‘Between Sand and Sea’ (4mins) performed at the Spring Festival, Young Composer’s Salon, The Studio, Sydney Opera House. Broadcast on ABC Classic FM.
For concert band. Circa 5 minutes.
Composed for Land Cove Concert Band. Premiered at Zenith Theatre, Chatswood.
Assimilation 1 and 2 (1999)
For soprano and alto. Circa 5 minutes.
Premiered by The Song Company, Casula Powerhouse.
For slide whistle, violin, three guitars, double bass. Circa 8 minutes.
Composed for Matthew Bolliger’s recycled timber instruments. Premiered by Tap Gallery, Darlinghurst and broadcast live on Radio National’s The Music Show.
Domo Arigato (1997)
For flute, violin, bass clarinet, three guitars, and prepared piano. Circa 5 minutes.
Selected for the Darwin International Guitar Festival Australian Composers Workshop 1997.
Phonological Examination (1997)
For six-part choir. Circa 5 minutes.
Composed for and premiered by the Hills Chorale, as part of the Hills Chorale young composers competition.